I promised my aunt I would take pictures of art, so here is the first in a series of posts revolving around that. Unfortunately, these are not my pictures: the frescoes I saw at Subiaco were in much better condition, having been recently restored. I took these photographs from the Subiaco Benedictine’s website.
Subiaco is the site of the cave St. Benedict lived for a few years in his young adulthood, around the year 500. The first communities he founded were set up in the area as well, and a monastery stands there today, built into the side of the mountain, around the cave. Known as Sacra Speco, it features an impressive collection of frescoes, adorning the walls of two churches and several chapels, painted in the 12th, 13th, and 14th centuries.
The fresco reminds the viewer that death (the flowing haired skeleton) can strike anyone at anytime. This photograph doesn’t show it well, but there is speech next to each character’s heads, so this fresco is one of the first comic strips.
I’ve never found an image of our Lady to be totally satisfying. I never find any of them to actually portray Mary as beautiful or natural or human. This photograph really doesn’t do it justice, it’s taken from a weird angle. She has a kind but knowing look in her eyes, just like every other mother on the face of the planet. I bought a couple of prayer cards with this image, and I study with one in view.
There is a rivalry between the Benedictines and the Cistercians (the Cistercians broke off from the Benedictines at the end of the 11th century), and the Benedictine fresco painters protrayed any bad monk in Cistercians garb (white habit with black scapular on top). One Cistercian is being punished, and another is being tempted by the devil in the doorway.
This portrait of St. Francis was painted during his lifetime, because the inscription reads “Fr. Franciscus” and he was widely believed to a be saint immediately following his death. Indeed, he was canonized only two years after his death.